The World of Sweeney Todd
Tue 25 to Sat 29 April 1995
Palace Theatre, Redditch
Producer – Ian Thompson
Production Assistant – Jean Leadbeater
Musical Director – Norma Kift
Society Accompanist – Adrienne Lloyd-Lucas
|Sweeney Todd||Julian Wilson|
|Ben Wagstaff||Jack Brennan|
|Jasper Oakley||John McGrath|
|Joanna Oakley||Alison Adams|
|Mrs Oakley||Jean Chalk|
|Dr Ebenezer Lupin||Barrie Cole|
|Mrs Lovett||Pauline Read|
|Tobias Bagg||Rosalyn Chalk|
|Captain Mark Ingestrie||Peter Hirons|
|Salt Sea Jack||Tony Jay|
|Seraphina Scrubbs||Barbara Hall|
Blessed with strong players
This is another enjoyable and entertaining production from this prodigious and talented company. It would be all too easy to unfavourably compare this production to last year’s out and out romp, Orpheus In The Underworld. Totally wrong, as the two productions are quite different.
From the moment you enter the Palace Theatre, that difference is strikingly apparent, with cast members (replete in Olden Day dress) there to greet you. It is a great way to start a production which transports the audience back through time to the seedy side streets of London. And the dirt and squalor continue with the arrival of Sweeney Todd – a Fleet Street barber of dubious repute, keen on ‘polishing off’ his customers – and his partner, Margery Lovett (Pauline Read), maker of pies with real ‘body’.
The Society is blessed with some strong players, in particular Julian Wilson brought a cold, calculating menace to the barbaric barber, Tony Jay was a jolly Salt Sea Jack and Barrie Cole was hysterical as the righteous Dr Lupin.
As ever there were plenty of neat comic touches (some brilliantly gruesome) and musically speaking there was nothing really to grumble about (though the strongest numbers were the ones with lots of cast members).
All in all, The World Of Sweeney Todd does not diminish Redditch Operatic Society’s quality reputation.
Redditch Standard, April 1995
Redditch Operatic Society have put on another top notch performance at the Palace Theatre for their Spring production. The spectacle began in the foyer as the cast, dressed in Victorian costume, greeted the audience in true Cockney fashion.
The players put on a great performance as they worked their way through the sleazy world of the notorious London murderer. Special mention must be made for Barbara Hall for her wonderful, over the top performance of Seraphina Scrubbs, she was funny and sympathetic at the same time.
And don’t forget the great performance by Julian Wilson, the evil Sweeney Todd. Cast members sneaked into the back of the theatre when not on stage, and encouraged hisses and boos from the audience. Some of the solo song numbers could have been a bit louder but all of the leading actors did have good voices.
The evening was polished performance, from the programme, designed as The Fleet Street Bugle, to the costumes and scenery the hard working group have designed. After 35 years of previous plays I expected the cast to do well and was not disappointed.
Redditch Advertiser, May 1995
The Society first performed this show in 1978, and had such a good time, that we decided to revive it as a spring show – with a slightly smaller company and budget than our usual autumn productions.
The show is not a ‘normal’ professional work – having been first performed in Newcastle in 1962, and written by members of the People’s Theatre. It was revised in 1970, and apart from a number of performances in the 70’s is rarely performed. In fact, the composer, Mr Peter Stattersfield, was so surprised and delighted that anybody had remembered his show, that he travelled all the way from Newcastle on Saturday 29 April to see our production for the first time in years. He was delighted with our interpretation.
There are eleven main characters in the play, all of similar scope except, of course, for the principal pairing of Sweeney Todd and his side-kick Mrs Lovett. Julian Wilson, who played the title role in the original 1978 production, returned to the role with great effect (see reviews above).
We invited the audience to come dressed in Victorian garb, attempting to create a ‘Good Old Days’ kind of event, and encouraged them to participate by booing and hissing the villainous acts on stage.
And the scenery, including a raised barber’s shop complete with a chair that span round and dropped Sweeney’s victims through the floor and down a chute, helped put the polish on a very enjoyable production.
Synopsis of the Show
Scene 1 – Outside Sweeney Todd’s Barber Shop in Fleet Street, London
- Murder Will Out – Citizens
- Easy Does It – Ben with Joanna, Mrs Oakley, Ebenezer and Jasper
- The Singing Winds – Joanna with Ben
- I’d Like To Polish Him Off – Sweeney Heaven
- Help A Sailor – Salt Sea Jack, Captain Mark and Tobias
- A Little Bit O’ Ginger – Salt Sea Jack and Citizens
- Murder Will Out (reprise) – Citizens
- Cannibal Pie – Ghouls
Scene 2 – Mrs Oakley’s Sitting Room
- Every Time I Look At You – Seraphina and Ebenezer
- We Must Catch The Barber – Citizens
Scene 1 – The Interior of Sweeney Todd’s Shop
- I Have No Friends In London – Joanna
- Don’t You See That Would Be Your Undoing – Sweeney and Mrs Lovett
- We Must Catch The Barber (reprise) – Jasper, Salt Sea Jack, Citizens and Runners
Scene 2 – The Vaults of St. Dunstans
- Murder Will Out (reprise) – Citizens
Scene 3 – Temple Bar
- Oh, What A Wicked World It Is – Ebenezer
- We Must Catch The Barber (reprise) – Citizens
Scene 4 – Mrs Lovett’s Bakehouse
- Not Really To Blame – Mrs Lovett
- The Singing Winds (reprise) – Captain Mark, Joanna and Citizens
- In The World Of Sweeney Todd – Company
Book and lyrics by William Scott and Ken Appleby. Lyrics by Alan Collis and Mike Burke.
Music by Peter Stattersfield. Arranged by Alan Johnson.
First performed by the People’s Theatre in Newcastle upon Tyne in May 1962. Revised and re-presented in 1970.